![]() Long lingering shots of nothing in particular. This usually helps to build tension within a film but this one doesn't need music to do this.Ģ. The only problem was I found it maybe to intellectual. It is sad because I am now getting to the age where I like to have a bit more stimulation than simply watching car chases, gun fights or people just generally getting beaten up by some specially trained oriental gentleman. Granted, it wont be to all tastes, but those that do find themselves engrossed are likely to agree that this is one of the finest French films in many years.- Jon Fosterĭon't get me wrong I liked this film but only two or three days after I had watched it because I had time to think about the messages I think were there. ![]() Director Michael Haneke ( The Piano Teacher ) cleverly works his story across several levels, and while, come the end credits, some may initially find themselves underwhelmed, heres a film that stays in the brain long after the stop button has been pressed. It has no easy answers, boasts some quite superb direction, and its also distinctly unconventional in how it goes about its business (right from the opening titles). Grounded by excellent performances from Daniel Auteuil and Juliette Binoche, Hidden is a masterclass in slow-burning cinema. The film slowly builds from there, as Georges starts looking to his past to try and find the answer to who is sending the tapes, only to find himself increasingly disturbed by the memories he recalls. Further tapes, accompanied by strange and disturbing drawings, start to arrive, leaving Georges, his wife and his teenage son unsettled. On it is a lengthy stream of surveillance footage of his home, shot from just across the street. uk ReviewĪ tense, taut and unsettling thriller, Hidden is a film that expertly follows television presenter Georges, whose seemingly perfect life is shattered when he receives a videotape. Soon, their happy home is an emotional battleground, leading to a climax that is breathtaking in its ferocity and ambiguousness. A growing sense of guilt begins to rise in Georges as he recalls his less-than-angelic childhood, yet for some reason he's unable to be completely honest with Anne. But when he confronts him, the man assures Georges he is innocent. Subsequent videotapes arrive, accompanied by mysterious drawings, and gradually Georges becomes convinced that he's being tormented by a figure from his past. But when an anonymous videotape turns up on their doorstep, showing their house under surveillance from across the street, their calm life begins to spiral out of control. ![]() Life seems perfect for Georges (Daniel Auteuil) and Anne (Juliette Binoche), a bourgeois Parisian couple who live in a comfortable home with their adolescent son, Pierrot (Lester Makedonsky). Writer/director Michael Haneke delivers a masterpiece of unsettlement.
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